The work explores the collusion between nature and science. Based on nature's sculptured forms Campbell induces new definitions through fragmented objects, bending forms, concepts and connotations of the everyday natural systems.

Her recent work with Columbia University’s neuroscience lab and its studies in genetic engineering has helped her expand her ongoing investigation into the role of perception in engineering our food and the global food crisis.

"I am always looking for something more to be said, something that points to dialogue and questions where we are."